Travis Scott’s Birds in the Trap Sing McKnight is a significant moment in hip-hop and trap music, defining a transitional phase in Scott’s career. Released in 2016, the album was his second studio release, and it cemented his place in the industry with its distinctive mix of moody atmospheres, hypnotic beats, and deeply introspective lyrics. Known for his dark and ethereal production style, Travis Scott created a sonic landscape that resonated with fans and critics alike. The album spawned multiple chart-topping hits, and its lyricism explores themes of fame, mental health, relationships, and the challenges of navigating life in the spotlight.
In this article, we will dive into 80+ lyrics from Birds in the Trap Sing McKnight that best capture the album’s essence. These lyrics reveal Travis Scott’s creative mindset, exploring the highs and lows of fame, his experiences with love and trust, and the struggles of maintaining his authenticity amidst rapid success.
1. “The ends”
In the opening track of the album, the ends, Scott reflects on his upbringing and the challenges of transitioning from Houston to fame.
- “I was always high up on the lean, then this girl came here to save my life.”
Travis touches on drug dependency and how a romantic relationship acted as a lifeline during his turbulent journey to stardom. - “Okay, I was gone for a minute, but I’m back now.”
These lyrics symbolize his return to focus, signifying his intention to reassert his presence in the industry with this album. - “I’m gon’ let ’em know, tell ’em what the truth is.”
Scott positions himself as someone unafraid to expose the realities of his experiences, despite the pressures of fame.
2. “Way Back”
In Way Back, Travis Scott reminisces about how fame has changed the people around him and reflects on his evolving personal identity.
- “We on an ultralight beam, yeah, we on an ultralight beam.”
Referencing Kanye West’s Ultralight Beam, Scott expresses how his journey feels almost spiritual, elevated beyond the everyday. - “No one gives a fuck about you, they just doubt you.”
A raw acknowledgement of how quickly the people around him have shifted from support to scepticism, a common theme in his lyrics. - “I need fake n****s to get way back.”
Scott openly critiques those who have been disingenuous since his rise to fame, demanding distance from the fake people who have crowded his life.
3. “Coordinate”
In Coordinate, Scott’s lyrics highlight his disillusionment with the trappings of fame, including the fast lifestyle of money, drugs, and parties.
- “Don’t let fame run your life.”
A stark reminder of the dangerous allure of fame, suggesting that Scott is aware of its potential to control and destroy. - “We might die for this shit.”
These lyrics speak to the extreme lengths he and others in the industry might go to in order to maintain their positions, acknowledging the toll fame takes on one’s mental and physical health.
4. “Through the Late Night” (featuring Kid Cudi)
Kid Cudi, one of Travis Scott’s major influences, joins him on Through the Late Night to explore themes of nighttime escapades, altered states of consciousness, and emotional escape through drugs.
- “Sleep through day, then we play all through the late night.”
These lyrics set the tone for the nocturnal, surreal vibe of the track, where Scott and Cudi find themselves most active and alive during the night. - “In the nighttime, ooh, that’s when I feel alright.”
The night becomes a refuge for Scott, a time when he feels most in control and at peace, contrasting with the chaos of his daytime life. - “All my life, I’ve been the same, I’ve been trying to get paid.”
Scott touches on his lifelong pursuit of success, highlighting the perseverance that has driven him despite the personal toll.
5. “Beibs in the Trap” (featuring NAV)
This track, featuring NAV, delves into materialism, drug culture, and the consequences of living life in the fast lane.
- “I just poured an eighth in a litre.”
A reference to lean (a combination of codeine and soda), highlights the heavy drug use that is often central to Scott’s music. - “She said she wanted a ring like Carmelo.”
A metaphor about desiring success and luxury, equating love with materialism and fame. - “Beibs in the trap, and I can’t go back.”
A double entendre that plays off Justin Bieber’s clean-cut image and the street slang for cocaine (Biebs as a stand-in for substance abuse), showing how deeply the trap lifestyle has ingrained itself into his life. -
The Best Lyrics from Birds in the Trap Sing McKnight: Fame, Love, and Struggles
6. “SDP Interlude”
This interlude provides a glimpse into Scott’s psyche, focusing on escapism through drugs and his detachment from reality.
- “Smoke one, pop one, drink one.”
A mantra-like repetition that reflects Scott’s reliance on substances to cope with the pressures and chaos of his lifestyle. - “Mama taught me how to get out of the mud.”
A nod to his upbringing, suggesting that his survival and success come from lessons learned in his early life, despite his current struggles with excess.
7. “Sweet Sweet”
On Sweet Sweet, Scott reflects on the euphoria and allure of hedonism, describing a toxic relationship with both substances and people.
- “You know I hit you back ‘cause you is my everything.”
A complex statement about codependence, where the lines between love and addiction blur. - “Sweet sweet, like a candy cane.”
A playful, yet slightly dark, metaphor comparing fleeting pleasures (whether drugs or love) to sugary sweetness that ultimately fades. - “I be too gone off the meds, can’t feel my legs.”
This lyric is another raw acknowledgement of how Scott relies on drugs to numb himself, both physically and emotionally.
8. “Outside” (featuring 21 Savage)
Outside is an anthem of survival, featuring 21 Savage, where both artists reflect on their rise from the streets to superstardom and the struggles that come with maintaining authenticity.
- “In the nighttime, we still outside.”
A statement about remaining connected to their roots despite success, staying vigilant and active at night when the world slows down. - “Money, power, fame, I want it all.”
This straightforward declaration captures the ambition driving Scott, even as he wrestles with the consequences of chasing these desires. - “You was talkin’ shit in the beginning.”
Reflecting on the doubters and critics who underestimated him at the start of his career, Scott reasserts his dominance and success.
9. “Goosebumps” (featuring Kendrick Lamar)
Arguably one of the biggest hits from the album, Goosebumps sees Scott teaming up with Kendrick Lamar to deliver a track about emotional highs, love, and paranoia.
- “I get those goosebumps every time, I need the Heimlich, throw that to the side.”
The imagery of getting goosebumps represents intense emotion, whether from love or fear, with Scott referencing his difficulty managing these overwhelming feelings. - “When I’m pullin’ up right beside ya, pop star, lil’ Mariah.”
Scott reflects on his ascent to pop stardom, likening his life to that of celebrities like Mariah Carey while still maintaining his trap roots. - “I get those goosebumps every time you come around.”
The repetition of this lyric throughout the song represents both the thrill of attraction and the anxiety it can trigger, showing the duality of love and success.
10. “First Take” (featuring Bryson Tiller)
First Take is a more personal track where Scott reflects on relationships, trust issues, and the fear of commitment.
- “Got me twistin’ up my weed, tryna get you out my mind.”
Scott uses marijuana as a coping mechanism to deal with heartache, a recurring theme in his music. - “You want the best of me, but all I got to give is pain.”
These lyrics highlight Scott’s self-awareness about his flaws, acknowledging that his relationships are often marked by emotional pain rather than stability. - “Told her she my queen, but I don’t need no queen.”
A line that reveals Scott’s inner conflict—he desires companionship but is wary of the responsibilities and emotional risks that come with love. -
Breaking Down Travis Scott’s Birds in the Trap Sing McKnight Track by Track
11. “Pick Up the Phone” (with Young Thug and Quavo)
This upbeat collaboration with Young Thug and Quavo focuses on relationships, unrequited love, and the modern dating experience where instant gratification is expected.
- “Pick up the phone, baby.”
A plea for connection in a world where communication is increasingly fleeting, reflecting the desire for immediate attention in a digital age. - “I know you’re home, baby.”
The frustration in these lyrics underscores Scott’s experience with love that feels one-sided, where his attempts to connect are met with silence. - “I pour a four of that Act’, baby.”
Another reference to lean, shows how Scott uses substances to cope with emotional distance and heartbreak.
12. “Lose”
Lose is one of the more introspective tracks on the album, where Scott reflects on the pressures of fame, the loss of personal relationships, and his need to escape from reality.
- “Sometimes I wish I could just hit a switch and leave.”
These lyrics capture Scott’s yearning to escape the pressures and expectations placed on him as a celebrity. - “When I touch down, it’s a touchdown.”
A metaphor for success, showing that Scott feels pressure to deliver greatness every time, whether in his personal life or in his music. - “You don’t want no problems, I don’t want to lose.”
Scott reveals his fear of failure, both in his personal life and career, reflecting the high stakes that come with fame.
13. “Guidance” (featuring K. Forest)
Guidance features a tropical, dancehall-inspired beat, and explores themes of lust and desire, with Scott focusing on physical attraction and momentary connection.
- “And I need guidance, I need guidance, babe.”
Scott admits his confusion in relationships, needing direction and clarity while navigating the highs and lows of love. - “Feel your body right here next to me.”
A sensual line that speaks to the intensity of physical attraction and the desire for closeness, which is a central theme of the song. - “I need somethin’ to guide me, babe.”
Once again, Scott expresses a longing for stability and guidance, hinting at the uncertainty and instability in his romantic relationships.
14. “Wonderful” (featuring The Weeknd)
The closing track Wonderful features The Weeknd and delivers an ode to hedonism, fame, and the fleeting pleasures that come with both.
- “Oh my, wonderful.”
A simple yet evocative line that sums up the excess and indulgence of life at the top, where everything seems wonderful on the surface but carries a deeper sense of emptiness. - “We can do anything, all the things you won’t regret.”
This lyric reflects the pursuit of momentary pleasure without concern for future consequences, embodying the carefree attitude that often accompanies fame. - “Everything I do is wonderful, everything I touch is wonderful.”
Scott portrays himself as untouchable, with everything he engages in turning to gold, reflecting the sense of invincibility that success often brings.
15. “Lose”
In Lose, Travis Scott opens up about personal struggles, doubts, and the challenges he faces in his career and personal life. The lyrics carry a tone of vulnerability, reflecting Scott’s desire to escape from the pressures that come with fame and success.
- “Sometimes I wish I could just hit a switch and leave.”
This lyric embodies Scott’s feeling of being overwhelmed by fame, expressing a desire to escape and reset. - “You don’t want no problems, I don’t wanna lose.”
Scott reveals his inner conflict, showing his drive to succeed despite the mental and emotional toll it takes. - “Had to move on but you were in the way.”
This line illustrates how personal relationships can sometimes hinder his growth, further emphasizing the theme of detachment and isolation. -
How Birds in the Trap Sing McKnight Showcases Travis Scott’s Lyrical Depth
16. “Guidance” (featuring K. Forest)
Guidance introduces a dancehall-inspired sound that sees Scott navigating romantic and physical attraction. The song’s sultry vibe captures the tension between fleeting love and longing for connection.
- “And I need guidance, I need guidance, babe.”
Scott admits his uncertainty and the emotional confusion that accompanies his relationships, yearning for clarity and stability. - “Feel your body right here next to me.”
The lyric touches on physical intimacy and the desire for closeness, a recurring theme in Scott’s exploration of relationships. - “I need something to guide me, babe.”
This line further conveys Scott’s vulnerability, as he expresses the need for guidance, both emotionally and spiritually, in a tumultuous world.
17. “Wonderful” (featuring The Weeknd)
In Wonderful, the closing track on Birds in the Trap Sing McKnight, Scott teams up with The Weeknd to deliver a hedonistic celebration of fame, success, and pleasure. However, the lyrics also hint at the emptiness that sometimes accompanies indulgence.
- “Oh my, wonderful.”
The simple repetition of this phrase captures the fleeting moments of pleasure, as Scott and The Weeknd indulge in excess. - “Everything I touch is wonderful.”
This lyric reflects the almost untouchable status that comes with success, yet there’s an undertone of hollowness beneath the surface. - “We can do anything, all the things you won’t regret.”
A line that emphasizes the carefree attitude of living in the moment, pursuing pleasure with no thought of the consequences.
18. “Pick Up the Phone” (with Young Thug and Quavo)
One of the more upbeat and radio-friendly tracks on the album, Pick Up the Phone is a collaboration between Travis Scott, Young Thug, and Quavo that deals with love, lust, and the complexities of modern relationships.
- “Pick up the phone, baby.”
The central refrain speaks to the frustrations of unrequited love, emphasizing the desire for immediate connection in a digital age. - “I know you’re home, baby.”
This lyric underscores the one-sided nature of the relationship, as Scott attempts to get in touch with someone emotionally distant. - “I pour a four of that Act’, baby.”
A direct reference to drinking lean, shows how substance use intertwines with his feelings of loneliness and rejection.
19. “First Take” (featuring Bryson Tiller)
First Take features Bryson Tiller and takes on a more introspective tone, diving into Scott’s trust issues, emotional pain, and fear of commitment.
- “Got me twistin’ up my weed, tryna get you out my mind.”
This lyric highlights Scott’s reliance on substances to numb emotional pain and escape the complexities of romantic relationships. - “You want the best of me, but all I got to give is pain.”
A raw admission of Scott’s struggles with emotional intimacy, revealing how his personal demons affect his relationships. - “Told her she my queen, but I don’t need no queen.”
This line reflects Scott’s internal conflict—he craves love and companionship but is wary of commitment and vulnerability.
20. “Goosebumps” (featuring Kendrick Lamar)
Goosebumps is one of the album’s most popular tracks, featuring Kendrick Lamar. The song explores the highs and lows of love, lust, and fame, with Scott’s verses diving into the emotional and psychological “goosebumps” he experiences.
- “I get those goosebumps every time, yeah, you come around.”
Scott uses “goosebumps” as a metaphor for the physical and emotional intensity that someone (or something) triggers in him. - “When I’m pullin’ up right beside ya, pop star, lil’ Mariah.”
This line reflects Scott’s newfound status in pop culture, comparing his life to that of superstars like Mariah Carey. - “I get those goosebumps every time I think about all the highs.”
Scott reflects on the thrills and anxiety that come with success, suggesting that the highs of fame bring both joy and fear.
21. “Through the Late Night” (featuring Kid Cudi)
Through the Late Night is a collaboration between Travis Scott and his idol, Kid Cudi, and reflects on nighttime escapades, escapism through drugs, and a shared sense of detachment from reality.
- “Sleep through day, then we play all through the late night.”
This lyric sets the nocturnal, dreamlike tone of the song, where the night serves as an escape from reality. - “In the nighttime, ooh, that’s when I feel alright.”
Scott feels most at ease during the night, a time when the pressures of daily life disappear. - “All my life, I’ve been the same, I’ve been tryna get paid.”
A reflection on Scott’s persistent ambition, showing that despite the chaos of his lifestyle, his focus on success remains unchanged.
22. “Beibs in the Trap” (featuring NAV)
In Beibs in the Trap, Travis Scott and NAV dive into the darker side of drug culture and materialism, using a clever wordplay on Justin Bieber’s clean image to contrast with the trap lifestyle.
- “I just poured an eighth in a liter.”
Scott references his habitual drug use, a recurring theme in his music that reflects the hedonistic lifestyle he leads. - “Beibs in the trap, and I can’t go back.”
A double entendre that plays on Justin Bieber’s name while also referencing cocaine (known as “Beibs”), symbolizing Scott’s entrapment in this lifestyle. - “She said she want a ring like Carmelo.”
A metaphor for materialism in relationships, where love and success are intertwined with fame and wealth.
23. “SDP Interlude”
SDP Interlude serves as a brief, psychedelic break in the album, with Scott using minimalist lyrics to convey themes of escapism through drugs.
- “Smoke one, pop one, drink one.”
A hypnotic, repetitive mantra that reflects Scott’s reliance on substances to numb himself from the chaos of his world. - “Mama taught me how to get out the mud.”
A nod to Scott’s upbringing, suggesting that his survival instincts come from his mother’s teachings, even as he navigates a world of excess and fame.
24. “Sweet Sweet”
Sweet Sweet is one of the smoother tracks on Birds in the Trap Sing McKnight, with Travis Scott reflecting on the highs and lows of a hedonistic lifestyle. The song paints a vivid picture of indulgence in material pleasures and fleeting relationships.
- “Sweet sweet, like a candy cane.”
This lyric compares the brief joys of love, drugs, or success to the temporary pleasure of something sweet, highlighting the ephemerality of these experiences. - “I be too gone off the meds, can’t feel my legs.”
Scott acknowledges his reliance on drugs, reflecting on the numbness that comes with excessive substance use. - “You know I hit you back ’cause you is my everything.”
A lyric that hints at a toxic, codependent relationship, where despite the ups and downs, the connection remains addictive.
25. “Coordinate”
In Coordinate, Travis Scott offers a snapshot of the fast-paced life of fame, wealth, and excess, while also reflecting on how he navigates the dangers and temptations that come with success.
- “Don’t let fame run your life.”
A cautionary line, reminding himself and listeners that fame can take over if not kept in check. - “We might die for this shit.”
Scott emphasizes the high stakes involved in maintaining a lifestyle built around success, money, and materialism, often at the cost of personal health or well-being. - “We got the tools to win, we got the tools to win.”
This lyric speaks to Scott’s confidence in his ability to navigate the complexities of the music industry and stay ahead, despite the challenges.
26. “Wonderful” (featuring The Weeknd)
The closing track Wonderful, featuring The Weeknd, is a fitting end to the album, focusing on themes of indulgence, fame, and the temporary highs of success. The collaboration captures the duality of their lives—enjoying the perks of fame while acknowledging its darker side.
- “Everything I touch is wonderful, everything I do is wonderful.”
A declaration of Scott’s success, where everything he’s involved in seems to turn to gold, though the repetitiveness hints at an underlying emptiness. - “We can do anything, all the things you won’t regret.”
This line captures the thrill of living in the moment, a central theme throughout the album, but also suggests an avoidance of long-term consequences. - “Oh my, wonderful.”
A simple yet evocative line that sums up the fleeting pleasures and surreal experiences of life at the top.
27. “The Ends”
The album begins with The Ends, a powerful track where Travis Scott reflects on his journey from Houston to international fame, and the personal sacrifices he’s made along the way.
- “Okay, I was gone for a minute, but I’m back now.”
This a reminder that Scott has returned with newfound energy and purpose after his previous efforts, signaling his determination to make an impact. - “I’m gon’ let ’em know, tell ’em what the truth is.”
A defiant statement, showing Scott’s commitment to being honest about his struggles, even as he faces the pressure to maintain an image of success. - “I was always high up on the lean, then this girl came here to save my life.”
Scott acknowledges his past addiction to lean (a mixture of codeine and soda) and credits a romantic relationship for helping him cope with the dangers of that lifestyle.
28. “Through the Late Night” (featuring Kid Cudi)
In Through the Late Night, Travis Scott links up with one of his major influences, Kid Cudi. The song delves into nocturnal escapism, with Scott and Cudi embracing the freedom that nighttime provides, away from the scrutiny of the public eye.
- “Sleep through the day, then we play all through the late night.”
This lyric emphasizes the sense of living a life that begins after dark, a recurring theme in Scott’s music, symbolizing escapism and detachment from reality. - “In the nighttime, ooh, that’s when I feel alright.”
Scott finds comfort and solace in the night, suggesting that the daytime (and by extension, the pressures of his fame) brings discomfort and anxiety. - “All my life, I’ve been the same, I’ve been trying to get paid.”
A reflection of his continuous drive for success, despite the emotional and mental cost that often accompanies the pursuit of fame.
29. “Pick Up the Phone” (with Young Thug and Quavo)
This collaboration between Travis Scott, Young Thug, and Quavo became one of the standout tracks from Birds in the Trap Sing McKnight. The song addresses themes of longing, communication struggles in relationships, and the frustration that comes from unreturned attention.
- “Pick up the phone, baby.”
A simple yet effective hook that captures the frustration of feeling ignored or neglected, particularly in romantic relationships. - “I know you’re home, baby.”
This line adds to the frustration, as Scott knows the person is available but still chooses not to engage, symbolizing the emotional distance in the relationship. - “I pour a four of that Act’, baby.”
A reference to his use of Actavis, a brand of codeine, showcasing how he uses substances to cope with feelings of rejection or isolation.
30. “First Take” (featuring Bryson Tiller)
First Take is a reflective, emotionally charged track that sees Travis Scott and Bryson Tiller explore themes of love, pain, and mistrust in relationships.
- “You want the best of me, but all I got to give is pain.”
Scott is brutally honest about his emotional state, admitting that his relationships are often marked by pain and disappointment. - “Got me twistin’ up my weed, tryna get you out my mind.”
A lyric that emphasizes how Scott turns to drugs as a way of escaping the emotional weight of his failed relationships. - “Told her she my queen, but I don’t need no queen.”
Scott reflects on the contradictions in his romantic life—he desires intimacy but struggles with the commitment and emotional vulnerability that come with it.
31. “Beibs in the Trap” (featuring NAV)
Beibs in the Trap is a standout track where Travis Scott and NAV dive into the themes of materialism, drug use, and the fast-paced life of fame.
- “I just poured an eighth in a litre.”
Another reference to Scott’s use of lean, the lyric highlights his heavy substance use as a way to cope with the pressures of his lifestyle. - “Beibs in the trap, and I can’t go back.”
The title plays on Justin Bieber’s name, while also referencing cocaine, implying that Scott is entrenched in a lifestyle he can’t easily escape. - “She said she wanted a ring like Carmelo.”
This lyric addresses the desire for wealth and status in relationships, equating love and success with material gain.
32. “SDP Interlude”
A short but impactful interlude, SDP (which stands for “Smoke, Drink, Pop”) revolves around indulgence, with Scott using minimal lyrics to communicate themes of escapism through substance use.
- “Smoke one, pop one, drink one.”
The repetitive nature of the line mirrors the cycle of drug and alcohol consumption that has become central to Scott’s lifestyle, reflecting his detachment from reality. - “Mama taught me how to get out the mud.”
Scott acknowledges his mother’s influence in his life, highlighting how the lessons she taught him growing up still apply as he navigates the complications of fame. - “I don’t wanna feel a thing.”
This haunting line summarizes Scott’s desire to numb his emotions and escape from the overwhelming pressures he faces daily.
33. “Way Back”
In Way Back, Travis Scott explores the changes in his life brought on by fame, reflecting on how the people around him, and his perception of himself, have shifted since achieving success.
- “We on an ultralight beam, yeah, we on an ultralight beam.”
Referencing Kanye West’s Ultralight Beam, Scott speaks of feeling elevated and otherworldly, as if he’s on a higher spiritual path or journey. - “No one gives a f* about you, they just doubt you.”**
This line reveals Scott’s cynicism toward the industry and the people around him, acknowledging that fame often brings more criticism than support. - “I need fake n****s to get way back.”
Scott demands distance from people who weren’t genuine during his rise to fame, a recurring theme of distrust and isolation in the album.
34. “Coordinate”
On Coordinate, Travis Scott delves into the overwhelming nature of fame and the relentless pursuit of success. The lyrics reflect the chaotic energy of his lifestyle, highlighting the darker aspects of wealth and celebrity while maintaining his confidence in handling it all.
- “Don’t let fame run your life.”
Scott warns about the pitfalls of letting fame take control, acknowledging that it can lead to self-destruction if not managed properly. - “We might die for this shit.”
A stark lyric that emphasizes the extreme lengths Scott and others in the industry might go to in order to maintain their status and protect their wealth and reputation. - “I put the city on my back.”
Scott reflects on his role as a representative of his hometown, Houston, and the weight of expectation that comes with being a leader in the music scene.
35. “Through the Late Night” (featuring Kid Cudi)
Kid Cudi’s collaboration with Travis Scott on Through the Late Night explores the nocturnal lifestyle of indulgence, freedom, and escape. Both artists have built careers around themes of isolation, personal struggles, and altered states of consciousness, and this track reflects their shared sensibilities.
- “Sleep through day, then we play all through the late night.”
Scott and Cudi reference a lifestyle driven by late-night activities, where nighttime offers them the freedom to detach from the burdens of fame and reality. - “In the nighttime, ooh, that’s when I feel alright.”
Nighttime becomes a sanctuary for Scott, where he finds solace and feels most at peace, contrasting with the pressures of his daytime life. - “All my life, I’ve been the same, I’ve been tryna get paid.”
This lyric speaks to Scott’s unwavering ambition and focus on success, despite the mental and emotional costs of his journey.
36. “Beibs in the Trap” (featuring NAV)
Beibs in the Trap is a track that merges Travis Scott’s signature trap sound with NAV’s unique vocal style. The song addresses themes of excess, substance use, and materialism, blending these ideas with clever wordplay.
- “I just poured a eighth in a liter.”
Scott references his habitual drug use, particularly lean (a combination of codeine and soda), which is a recurring theme throughout the album. - “Beibs in the trap, and I can’t go back.”
The lyric plays off Justin Bieber’s clean image, with Beibs as a reference to cocaine, symbolizing how deeply Scott has become entrenched in the lifestyle associated with fame and excess. - “She said she want a ring like Carmelo.”
A metaphor about materialism and relationships, suggesting that romantic involvement often comes with the expectation of wealth and status.
37. “SDP Interlude”
The SDP Interlude is a minimalist, hypnotic track that reflects Scott’s use of substances as a means of escaping reality. The repetitive nature of the lyrics mirrors the cyclical, numbing experience of addiction and the reliance on drugs to cope with personal struggles.
- “Smoke one, pop one, drink one.”
This repetitive chant captures Scott’s indulgence in drugs and alcohol, emphasizing how integral these vices have become in his attempt to numb himself from the pressures of his lifestyle. - “Mama taught me how to get out the mud.”
Scott nods to his upbringing and the lessons his mother instilled in him about resilience, even as he navigates the darker side of fame. - “I don’t wanna feel a thing.”
This lyric conveys Scott’s desire to disconnect from the emotional toll of his life, highlighting the role that substances play in his self-medication.
38. “Sweet Sweet”
In Sweet Sweet, Scott uses sugary imagery to describe the allure of temporary pleasures, whether they come from love, drugs, or material wealth. The track balances moments of romantic longing with the darker side of indulgence and addiction.
- “Sweet sweet, like a candy cane.”
A playful comparison that highlights how the highs Scott experiences are as fleeting as candy, satisfying in the moment but ultimately temporary. - “I be too gone off the meds, can’t feel my legs.”
Scott refers to his drug use as a way to detach from reality, a theme that runs throughout the album, illustrating how deeply addiction has affected his physical and emotional state. - “You know I hit you back ’cause you is my everything.”
A lyric that speaks to Scott’s codependent relationships, where his need for connection is intertwined with his desire for escapism.
39. “Outside” (featuring 21 Savage)
Outside, featuring 21 Savage, is an anthem of survival and authenticity. Both artists reflect on their lives before fame, highlighting their loyalty to their roots and the challenges they’ve faced in navigating the world of success.
- “In the nighttime, we still outside.”
Scott and 21 Savage declare their presence and resilience, asserting that despite their success, they remain connected to their pasts and their communities. - “Money, power, fame, I want it all.”
This lyric encapsulates the ambition and hunger for success that drives both artists, even as they acknowledge the pitfalls that come with it. - “You was talkin’ shit in the beginning.”
Scott reflects on the critics and doubters who questioned his rise to fame, using this as motivation to prove them wrong.
40. “Goosebumps” (featuring Kendrick Lamar)
Goosebumps is one of the standout tracks on the album, featuring Kendrick Lamar. The song delves into the intensity of emotions that Scott experiences, from love and lust to fear and paranoia, often triggered by his fast-paced, high-stakes lifestyle.
- “I get those goosebumps every time, yeah, you come around.”
Scott uses goosebumps as a metaphor for the overwhelming emotions he feels, whether it’s love, excitement, or anxiety, whenever someone important enters his life. - “When I’m pullin’ up right beside ya, pop star, lil’ Mariah.”
Scott reflects on his ascent to pop stardom, likening his life to that of music icons like Mariah Carey, while still navigating the world of trap. - “I get those goosebumps every time I think about all the highs.”
This lyric conveys the thrill and rush Scott gets from success, but also hints at the pressure and fear that accompany these “highs.”
41. “First Take” (featuring Bryson Tiller)
First Take is a track that centers on trust issues, heartbreak, and emotional detachment in relationships. Featuring Bryson Tiller, the song reflects on the challenges both artists face in balancing their personal lives with the demands of their careers.
- “Got me twistin’ up my weed, tryna get you out my mind.”
Scott reveals how he turns to substances to cope with the emotional weight of relationships that have ended or are on the verge of collapse. - “You want the best of me, but all I got to give is pain.”
A brutally honest line where Scott admits that his relationships are often filled with more pain than happiness, as he struggles with his own emotional turmoil. - “Told her she my queen, but I don’t need no queen.”
Scott reflects on the internal conflict of wanting love and intimacy while simultaneously pushing people away due to his fear of commitment and vulnerability.
42. “Pick Up the Phone” (with Young Thug and Quavo)
Pick Up the Phone is an upbeat collaboration with Young Thug and Quavo, focusing on themes of love, lust, and communication struggles in relationships. The track addresses the frustration that comes from being ignored by someone you care about.
- “Pick up the phone, baby.”
The hook captures the frustration and longing Scott feels when his attempts at communication go unanswered, symbolizing a deeper emotional disconnect. - “I know you’re home, baby.”
This lyric adds to the frustration, as Scott knows the person is available but still chooses not to engage with him, reflecting the complications of modern relationships. - “I pour a four of that Act’, baby.”
Scott references his use of Actavis (a brand of codeine), implying that he turns to substances to cope with the emotional distance and frustration he feels.
43. “Lose”
In Lose, Travis Scott touches on the struggles of maintaining his success while dealing with personal issues and emotional burdens. The song captures his fear of failure and the emotional toll of always having to perform.
- “Sometimes I wish I could just hit a switch and leave.”
Scott expresses his desire to escape from the pressures of fame, illustrating how overwhelming his life can feel at times. - “When I touch down, it’s a touchdown.”
A metaphor for his success, Scott implies that whenever he makes an appearance or releases new music, it’s guaranteed to be a win. - “You don’t want no problems, I don’t want to lose.”
Scott reflects on his determination to avoid conflict and failure, showing his inner conflict and drive to maintain his position in the industry.
44. “Wonderful” (featuring The Weeknd)
Wonderful is a celebratory track where Travis Scott and The Weeknd embrace the pleasures of fame, success, and indulgence. The song exudes a sense of untouchable euphoria, highlighting the highs that come with stardom, while also hinting at the superficiality of these experiences.
- “Oh my, wonderful.”
Scott and The Weeknd emphasize the overwhelming sense of awe and excitement they feel about their success, capturing the fleeting moments of pleasure that accompany the highs of their lifestyle. - “Everything I touch is wonderful.”
This a bold statement reflecting Scott’s confidence in his creative abilities, where every project or endeavor he takes on results in success and acclaim. - “We can do anything, all the things you won’t regret.”
This lyric suggests a carefree attitude toward indulgence and pleasure, embracing the idea of living in the moment without concern for future consequences.
45. “Way Back”
In Way Back, Travis Scott reflects on his journey from obscurity to fame, while also confronting the changes that have come with his newfound success. The track juxtaposes his desire to hold onto his roots with the pressure of maintaining his position in the industry.
- “We on an ultralight beam, yeah, we on an ultralight beam.”
Scott references Kanye West’s Ultralight Beam, likening his ascent to fame to a spiritual journey, suggesting that he feels elevated above the challenges he once faced. - “No one gives a f* about you, they just doubt you.”**
This lyric reveals Scott’s cynicism toward the people around him, acknowledging that many individuals only doubted him in the early stages of his career, rather than offering support. - “I need fake n****s to get way back.”
Scott’s frustration with disingenuous people in his life surfaces in this line, as he demands distance from those who only pretend to be loyal once he achieves fame.
46. “Through the Late Night” (featuring Kid Cudi)
Kid Cudi’s influence is clear in Through the Late Night, a track that celebrates the freedom and escapism that come with the night. Both Scott and Cudi, who have built their careers on themes of loneliness and altered consciousness, explore their nocturnal adventures and the mental and emotional refuge that nighttime provides.
- “Sleep through the day, then we play all through the late night.”
Scott and Cudi describe their inverted lifestyles, where the nighttime offers them a sense of freedom and detachment from the world, allowing them to escape the stresses of fame. - “In the nighttime, ooh, that’s when I feel alright.”
Scott expresses his comfort with the night, suggesting that the daytime (and by extension, the responsibilities and pressures that come with it) leaves him feeling unsettled. - “All my life, I’ve been the same, I’ve been tryna get paid.”
Scott emphasizes his unwavering ambition, noting that his focus on success has been a constant throughout his life, even as his circumstances have changed.
47. “Pick Up the Phone” (with Young Thug and Quavo)
In Pick Up the Phone, Travis Scott, Young Thug, and Quavo explore the complexities of love, lust, and communication in relationships. The track captures the frustration that comes with emotional distance and unrequited love, particularly in the fast-paced, digital world.
- “Pick up the phone, baby.”
The song’s central hook encapsulates Scott’s feelings of frustration and longing when his attempts to connect with someone go unanswered, symbolizing a deeper emotional disconnection. - “I know you’re home, baby.”
This line intensifies Scott’s frustration, as he knows the person is available but chooses not to engage with him, reflecting the complexities of modern-day relationships. - “I pour a four of that Act’, baby.”
Scott’s use of codeine (often referred to as lean) is referenced again, illustrating how he uses substances to cope with the emotional turmoil that comes from rejection or distance.
48. “Lose”
Lose is a deeply introspective track where Travis Scott reveals his fears of failure and emotional exhaustion. The song focuses on Scott’s internal conflict, balancing his desire for success with the emotional toll it takes on him.
- “Sometimes I wish I could just hit a switch and leave.”
Scott expresses a desire to escape from the pressures of fame, reflecting on how overwhelming it can feel to maintain his position in the industry. - “When I touch down, it’s a touchdown.”
A metaphor for success, this line implies that Scott feels the need to deliver every time he releases new music or performs, emphasizing the pressure to meet high expectations. - “You don’t want no problems, I don’t wanna lose.”
This lyric reflects Scott’s determination to avoid conflict and maintain his success, while also acknowledging the emotional struggles he faces in doing so.
49. “First Take” (featuring Bryson Tiller)
First Take sees Travis Scott and Bryson Tiller tackling the topic of emotional detachment in relationships. The song addresses issues of trust, heartbreak, and the difficulty of balancing love and career.
- “Got me twistin’ up my weed, tryna get you out my mind.”
Scott turns to marijuana to escape from the emotional weight of his troubled relationships, a recurring theme throughout the album. - “You want the best of me, but all I got to give is pain.”
This lyric shows Scott’s self-awareness, as he acknowledges that his relationships are often more painful than fulfilling due to his own emotional turmoil. - “Told her she my queen, but I don’t need no queen.”
Scott reveals his internal conflict—he desires love and companionship but is hesitant to fully commit, fearing the emotional vulnerability that comes with deep relationships.
50. “Beibs in the Trap” (featuring NAV)
In Beibs in the Trap, Travis Scott and NAV explore themes of materialism, drug use, and the fast-paced lifestyle associated with success. The title plays off Justin Bieber’s name, using it as a clever reference to cocaine and the trap lifestyle.
- “I just poured an eighth in a litre.”
Scott continues to reference his use of lean, illustrating how substance use has become a coping mechanism for dealing with fame’s pressures. - “Beibs in the trap, and I can’t go back.”
The lyric highlights how deeply Scott has immersed himself in the lifestyle that comes with fame, acknowledging that there’s no returning to the simpler days before success. - “She said she wanted a ring like Carmelo.”
This metaphor highlights the materialistic expectations in relationships, suggesting that love is often equated with wealth and status in Scott’s world.
51. “SDP Interlude”
The SDP Interlude offers a brief, psychedelic reflection on Travis Scott’s use of substances as a form of escapism. The repetitive, minimalistic lyrics reinforce the idea of being caught in a cycle of addiction, using drugs as a way to numb emotional pain and disconnect from reality.
- “Smoke one, pop one, drink one.”
A repetitive mantra that highlights Scott’s reliance on drugs and alcohol to escape the emotional weight of his life, illustrating the numbness he seeks through indulgence. - “Mama taught me how to get out the mud.”
Scott acknowledges the lessons from his upbringing that have helped him navigate the challenges of fame, even as he faces new obstacles in his current lifestyle. - “I don’t wanna feel a thing.”
This haunting line sums up Scott’s desire to numb his emotions and escape from the overwhelming pressures of fame, highlighting the theme of emotional detachment throughout the album.
52. “The Ends”
The album opener, The Ends, sets the tone for Birds in the Trap Sing McKnight by exploring Travis Scott’s past, his rise to fame, and the emotional and personal sacrifices he’s made along the way. The track reflects on his upbringing in Houston and the challenges he faced before becoming a global star.
- “I was always high up on the lean, then this girl came here to save my life.”
Scott reflects on his dependency on lean and how a relationship helped him navigate a particularly dark period in his life. - “Okay, I was gone for a minute, but I’m back now.”
This lyric signals Scott’s return to the spotlight with renewed focus and determination, despite the personal struggles he’s experienced. - “I’m gon’ let ’em know, tell ’em what the truth is.”
A defiant line where Scott emphasizes his commitment to being authentic about his life, both in his music and in his personal experiences.
53. “Coordinate”
In Coordinate, Travis Scott reflects on the overwhelming nature of fame and the lifestyle that comes with it. The track emphasizes the chaos and constant movement in Scott’s life, while also showing his confidence in navigating the pressures that fame brings.
- “Don’t let fame run your life.”
A warning to himself and others about the dangers of allowing fame to take over, suggesting that it can lead to self-destruction if not carefully managed. - “We might die for this shit.”
This line highlights the extreme lengths Scott and others in the industry might go to in order to maintain their success and protect their reputations. - “I put the city on my back.”
Scott reflects on his responsibility as a representative of his hometown, Houston, and the pressure to live up to the expectations of those who look to him as a leader in the music industry.
54. “Through the Late Night” (featuring Kid Cudi)
In Through the Late Night, Travis Scott and Kid Cudi reflect on the nocturnal escapades that serve as their escape from the pressures of fame. Both artists use the night as a metaphor for emotional release, exploring the idea of finding comfort in the darkness.
- “Sleep through day, then we play all through the late night.”
Scott and Cudi describe their inverted lifestyles, where nighttime becomes a space for freedom and detachment from reality, offering a sense of emotional escape. - “In the nighttime, ooh, that’s when I feel alright.”
Scott expresses how the night provides a sense of peace, contrasting with the anxiety and stress he feels during the day, when the pressures of his career are most intense. - “All my life, I’ve been the same, I’ve been tryna get paid.”
Scott emphasizes his continuous drive for success, even as he navigates the emotional and psychological toll that fame has taken on him.
55. “Goosebumps” (featuring Kendrick Lamar)
One of the most iconic tracks on Birds in the Trap Sing McKnight, Goosebumps features a powerful collaboration between Travis Scott and Kendrick Lamar. The song delves into the emotional intensity of love and the anxiety that comes with fame and success.
- “I get those goosebumps every time, yeah, you come around.”
Scott describes the overwhelming emotions he feels in the presence of someone he loves or desires, using “goosebumps” to symbolize both excitement and anxiety. - “When I’m pullin’ up right beside ya, pop star, lil’ Mariah.”
This lyric reflects Scott’s rise to pop stardom, where he compares his status to that of music icons like Mariah Carey, yet remains rooted in his unique trap sound. - “I get those goosebumps every time, I need the Heimlich, throw that to the side.”
Scott paints a vivid picture of feeling overwhelmed by intense emotions, suggesting that these sensations are so powerful that he feels choked by them, needing a release.
56. “First Take” (featuring Bryson Tiller)
First Take explores the themes of love, pain, and emotional vulnerability. Both Travis Scott and Bryson Tiller reflect on their past relationships, addressing heartbreak, mistrust, and the difficulty of maintaining a healthy balance between love and career.
- “You want the best of me, but all I got to give is pain.”
Scott admits to being emotionally unavailable, acknowledging that his past experiences have left him more capable of causing pain than fostering a deep, meaningful connection. - “Got me twistin’ up my weed, tryna get you out my mind.”
Once again, Scott turns to substances like marijuana as a way to escape from the emotional weight of his broken relationships. - “Told her she my queen, but I don’t need no queen.”
This lyric highlights Scott’s conflicted feelings about love—he desires intimacy but is wary of the emotional vulnerability that comes with a committed relationship.
57. “Beibs in the Trap” (featuring NAV)
In Beibs in the Trap, Travis Scott and NAV dive into themes of wealth, excess, and drug culture, using a clever play on Justin Bieber’s name to reference cocaine. The track represents the hedonistic side of Scott’s lifestyle, blending material success with darker indulgences.
- “I just poured an eighth in a liter.”
Scott references his continued use of lean, a recurring theme in his music that represents both his indulgence and his need to escape from the pressures of fame. - “Beibs in the trap, and I can’t go back.”
The lyric serves as a double entendre, using Beibs to reference cocaine and Justin Bieber, symbolizing Scott’s inability to return to a simpler life after fame and excess. - “She said she want a ring like Carmelo.”
Scott comments on the materialistic expectations in relationships, where love is often tied to the success and wealth associated with his celebrity.
58. “Pick Up the Phone” (with Young Thug and Quavo)
Pick Up the Phone is an energetic collaboration with Young Thug and Quavo, focused on themes of lust, love, and the frustrations that come with modern communication. The song balances the thrill of new relationships with the emotional challenges of unrequited attention.
- “Pick up the phone, baby.”
The central hook represents Scott’s desire for connection, capturing the frustration of being ignored by someone he wants to reach out to, reflecting a larger theme of emotional distance. - “I know you’re home, baby.”
This lyric adds to the feeling of emotional tension, as Scott knows the person is available but still chooses not to engage, highlighting the complexities of communication in the digital age. - “I pour a four of that Act’, baby.”
A direct reference to Scott’s use of lean (a mixture of codeine and soda), showing how he relies on substances to cope with the emotional strain of being ignored or rejected.
59. “SDP Interlude”
The SDP Interlude provides a hazy, psychedelic break in the album, with Travis Scott focusing on escapism through drugs. The repetition of minimal lyrics reinforces the sense of being caught in a cycle of addiction and detachment.
- “Smoke one, pop one, drink one.”
This hypnotic mantra underscores Scott’s reliance on substances to escape the pressures of his life, with each action representing a step further into his indulgent lifestyle. - “Mama taught me how to get out the mud.”
Scott pays homage to his mother’s teachings, suggesting that despite his current struggles with excess, the lessons from his upbringing help him navigate life’s challenges. - “I don’t wanna feel a thing.”
This haunting line reflects Scott’s desire to numb his emotions completely, showcasing how the pressures of fame, personal loss, and success have driven him to seek refuge in emotional detachment.
60. “Sweet Sweet”
On Sweet Sweet, Travis Scott reflects on the fleeting pleasures of life, comparing the highs of drugs and love to something as temporary as candy. The track juxtaposes moments of bliss with the darker reality of substance use and emotional dependence.
- “Sweet sweet, like a candy cane.”
Scott uses this metaphor to emphasize how the pleasures in his life—whether related to drugs, love, or success—are short-lived, much like a sugary treat that quickly fades. - “I be too gone off the meds, can’t feel my legs.”
A lyric that speaks to Scott’s deep dependence on substances to cope, showing how he often detaches from reality to avoid facing his emotions or physical pain. - “You know I hit you back ’cause you is my everything.”
Scott touches on a codependent relationship, where despite the chaos and emotional highs and lows, there is a deep connection that he continues to return to.
61. “Outside” (featuring 21 Savage)
Outside, featuring 21 Savage, is a survival anthem that reflects both artists’ experiences with fame, their loyalty to their roots, and their determination to stay true to themselves in a world of superficiality and excess.
- “In the nighttime, we still outside.”
Scott and 21 Savage declare their resilience and connection to their pasts, emphasizing that despite their success, they remain true to their roots and continue to live on their own terms. - “Money, power, fame, I want it all.”
This line encapsulates the ambition that drives both artists, even as they acknowledge the dangers and costs that come with chasing these desires. - “You was talkin’ shit in the beginning.”
Scott reflects on the criticism and doubt he faced earlier in his career, using it as motivation to prove his detractors wrong through his continued success.
62. “Lose”
Lose captures the emotional exhaustion that comes with maintaining fame and success. Travis Scott reflects on his fear of losing everything he’s worked for, while also dealing with the mental toll that comes with constantly being in the spotlight.
- “Sometimes I wish I could just hit a switch and leave.”
Scott expresses a desire to escape from the pressure and expectations that come with being a public figure, showing how overwhelming the constant demands of fame can be. - “When I touch down, it’s a touchdown.”
A metaphor for success, implying that every time Scott makes a move—whether releasing music or performing—it’s expected to be a major win. - “You don’t want no problems, I don’t wanna lose.”
This lyric reflects Scott’s inner conflict, where his drive to avoid failure is in constant tension with the emotional and mental strain he faces in maintaining his success.
63. “Coordinate”
On Coordinate, Travis Scott reflects on the frenetic pace of his life, where fame, money, and excess can feel both exhilarating and overwhelming. The song is filled with confidence but also carries an underlying caution about the dangers of letting success dictate one’s life.
- “Don’t let fame run your life.”
Scott offers a cautionary line, warning about the seductive power of fame and the need to maintain control in order to avoid being consumed by it. - “We might die for this shit.”
A stark reminder of the high stakes involved in maintaining success and living the high-pressure lifestyle of a global superstar. - “I put the city on my back.”
Reflecting on his role as a representative of his hometown of Houston, Scott acknowledges the pressure to live up to the expectations placed on him by his fans and community.
64. “Through the Late Night” (featuring Kid Cudi)
Through the Late Night is a collaboration between Travis Scott and Kid Cudi that explores their mutual themes of nocturnal escapism and altered states of consciousness. The track is a reflection on the freedom that nighttime provides, allowing them to disconnect from reality and find solace in the shadows.
- “Sleep through the day, then we play all through the late night.”
Scott and Cudi describe their inverted lifestyles, where the night becomes their playground and their escape from the pressures of fame. - “In the nighttime, ooh, that’s when I feel alright.”
The nighttime is where Scott finds peace, suggesting that the pressures of daytime life are too overwhelming and the night allows him to feel free. - “All my life, I’ve been the same, I’ve been tryna get paid.”
This lyric emphasizes Scott’s unwavering ambition, showing that despite his success, his focus has always been on hustling and achieving more.
65. “Wonderful” (featuring The Weeknd)
Wonderful, the closing track of Birds in the Trap Sing McKnight, features The Weeknd and celebrates the pleasures of fame and the highs that come with success. The song’s upbeat production contrasts with the recurring themes of isolation, creating a euphoric anthem for indulgence.
- “Oh my, wonderful.”
The repetitive hook captures the overwhelming sense of awe and excitement at the success and indulgence that fame brings, creating a celebratory mood throughout the track. - “Everything I touch is wonderful, everything I do is wonderful.”
Scott and The Weeknd both emphasize their success and Midas touch, where everything they engage in turns to gold, highlighting their confidence in their creative output. - “We can do anything, all the things you won’t regret.”
This line speaks to the reckless abandon with which Scott and The Weeknd embrace their lives, reveling in the freedom to act without consequence.
66. “The Ends”
The opening track of the album, The Ends sets the tone for Birds in the Trap Sing McKnight with Travis Scott reflecting on his past in Houston and how far he’s come. The song touches on the duality of success—celebrating achievements while remembering the challenges of his upbringing.
- “I was always high up on the lean, then this girl came here to save my life.”
Scott reflects on his struggle with substance abuse and how a relationship helped ground him during a tumultuous period in his life. - “Okay, I was gone for a minute, but I’m back now.”
This lyric signals Scott’s return to the spotlight with renewed focus and determination, marking his presence in the industry after his rise to fame. - “I’m gon’ let ’em know, tell ’em what the truth is.”
Scott commits to being honest and open about his experiences, no matter how difficult they are to confront, setting the tone for the introspective nature of the album.
67. “Beibs in the Trap” (featuring NAV)
In Beibs in the Trap, Travis Scott and NAV examine the intersections of fame, drug culture, and materialism, using wordplay to reference both Justin Bieber and cocaine as metaphors for the excesses of their lifestyle.
- “I just poured an eighth in a litre.”
Scott references his use of lean, a common theme throughout the album that highlights his reliance on substances to manage the emotional toll of fame. - “Beibs in the trap, and I can’t go back.”
The lyric reflects Scott’s entrapment in the lifestyle of excess, emphasizing that once fame has taken over, there’s no returning to a simpler, more grounded life. - “She said she want a ring like Carmelo.”
This line points to the materialism and high expectations that often come with romantic relationships in the celebrity world, where success and love are intertwined.
68. “Way Back”
Way Back serves as a reflection on how far Travis Scott has come in his career, but it also examines the changes in his relationships and surroundings as he ascends to higher levels of fame.
- “We on an ultralight beam, yeah, we on an ultralight beam.”
Scott compares his journey to a spiritual experience, drawing a parallel to Kanye West’s Ultralight Beam, suggesting that his success feels surreal and transcendent. - “No one gives a f* about you, they just doubt you.”**
This lyric reveals Scott’s awareness of the scepticism and lack of support he experienced early in his career, contrasting with his current success. - “I need fake n****s to get way back.”
Scott expresses frustration with people who weren’t genuine when he was on the rise, distancing himself from those who only want to associate with him because of his fame.
69. “Pick Up the Phone” (with Young Thug and Quavo)
In Pick Up the Phone, Travis Scott, Young Thug, and Quavo navigate the emotional complexities of modern relationships, particularly the frustrations that arise from unrequited attention and miscommunication.
- “Pick up the phone, baby.”
This hook encapsulates Scott’s desire for connection, reflecting the anxiety and frustration that comes with feeling ignored by someone you care about. - “I know you’re home, baby.”
This lyric adds to the emotional tension, as Scott knows the person is available but is choosing not to respond, highlighting the emotional distance in the relationship. - “I pour a four of that Act’, baby.”
Scott references his use of lean, suggesting that he turns to substances to cope with the emotional weight of the situation, a recurring theme in his music.
70. “First Take” (featuring Bryson Tiller)
First Take is a heartfelt, introspective track where both Travis Scott and Bryson Tiller reflect on love, trust, and emotional vulnerability. The song explores the tension between wanting to connect with someone and the fear of getting hurt.
- “You want the best of me, but all I got to give is pain.”
Scott is brutally honest about his emotional state, admitting that his past experiences have left him more capable of causing pain than offering love. - “Got me twistin’ up my weed, tryna get you out my mind.”
Once again, Scott uses substances like marijuana to cope with the emotional challenges of his relationships, illustrating his tendency to avoid facing his feelings head-on. - “Told her she my queen, but I don’t need no queen.”
This lyric captures Scott’s ambivalence toward commitment—he desires connection but is hesitant to fully invest in a relationship due to his fear of emotional vulnerability.
71. “Goosebumps” (featuring Kendrick Lamar)
Goosebumps is one of the standout tracks on Birds in the Trap Sing McKnight, featuring a powerful guest verse from Kendrick Lamar. The song explores themes of love, lust, and the overwhelming emotions that accompany both fame and relationships.
- “I get those goosebumps every time, yeah, you come around.”
Scott uses the imagery of goosebumps to describe the intense emotional and physical reactions he experiences when he’s around someone important to him. - “When I’m pullin’ up right beside ya, pop star, lil’ Mariah.”
This lyric reflects Scott’s rise to pop stardom, comparing his life to that of a pop icon like Mariah Carey, all while staying true to his trap roots. - “I get those goosebumps every time, I need the Heimlich, throw that to the side.”
Scott likens the overwhelming emotions he feels to choking, suggesting that these intense feelings are both thrilling and suffocating.
72. “Through the Late Night” (featuring Kid Cudi)
The Late Night marks a collaboration between Travis Scott and Kid Cudi, one of Scott’s major influences. The track explores the theme of nocturnal escapism, where Scott and Cudi find solace and freedom in the nighttime.
- “Sleep through the day, then we play all through the late night.”
Scott and Cudi describe their nocturnal lifestyles, where the night becomes a refuge from the pressures of the day, offering them an escape from reality. - “In the nighttime, ooh, that’s when I feel alright.”
Scott finds peace and comfort in the night, contrasting with the stress and anxiety that the daytime (and the responsibilities it brings) often causes him. - “All my life, I’ve been the same, I’ve been tryna get paid.”
This lyric highlights Scott’s relentless pursuit of success, emphasizing that his drive has remained constant throughout his life, even as his circumstances have changed.
73. “SDP Interlude”
The SDP Interlude provides a hazy, dreamlike break in the album, with Travis Scott reflecting on his use of drugs to escape from the pressures of fame. The song’s repetitive lyrics mirror the cyclical nature of addiction and the desire to numb oneself from emotional pain.
- “Smoke one, pop one, drink one.”
The repetitive nature of the lyric underscores Scott’s reliance on substances to cope with the emotional toll of his lifestyle, emphasizing the habitual nature of his indulgence. - “Mama taught me how to get out the mud.”
Scott nods to his upbringing and the lessons his mother taught him, suggesting that despite his current struggles with fame and excess, he draws on his past to navigate life. - “I don’t wanna feel a thing.”
This line reflects Scott’s desire to detach from his emotions completely, highlighting how the pressures of fame and success have driven him to seek escape through numbness.
74. “Outside” (featuring 21 Savage)
Outside, featuring 21 Savage is an anthem of survival and resilience. Both artists reflect on their journey from humble beginnings to stardom, staying true to their roots even as they navigate the challenges of success.
- “In the nighttime, we still outside.”
Scott and 21 Savage assert their resilience and authenticity, emphasizing that despite their fame, they remain connected to their past and their communities. - “Money, power, fame, I want it all.”
This lyric captures the ambition that drives both artists, acknowledging their hunger for success while also recognizing the dangers that come with chasing these goals. - “You was talkin’ shit in the beginning.”
Scott recalls the criticism he faced early in his career, using it as motivation to prove his doubters wrong through his continued success.
75. “Coordinate”
In Coordinate, Travis Scott reflects on the frenetic pace of his life, where fame, money, and indulgence dominate. The track is filled with confidence, but it also serves as a reminder of the potential dangers of letting fame take control.
- “Don’t let fame run your life.”
A warning to himself and others about the perils of fame, reminding listeners that it’s important to maintain control and not let success dictate personal choices. - “We might die for this shit.”
This line highlights the high stakes that come with living in the fast lane of fame, where the pressures and expectations can take a serious toll. - “I put the city on my back.”
Scott reflects on his role as a representative of Houston, acknowledging the weight of expectation that comes with being a leader in the music scene.
76. “Sweet Sweet”
In Sweet Sweet, Travis Scott uses sugary imagery to describe the allure and fleeting nature of the pleasures he indulges in, whether they come from love, drugs, or success. The track juxtaposes moments of euphoria with the darker consequences of excess and emotional dependence.
- “Sweet sweet, like a candy cane.”
Scott compares the highs of love, drugs, and success to something sweet, yet temporary, drawing attention to the fact that these pleasures, like candy, are momentary and soon fade. - “I be too gone off the meds, can’t feel my legs.”
Scott reflects on how deeply his dependence on substances affects him, both physically and emotionally, as he uses drugs to numb himself from his reality. - “You know I hit you back ’cause you is my everything.”
A glimpse into a codependent relationship, where despite the chaos and emotional turbulence, Scott continually returns to someone who provides comfort, albeit temporarily.
77. “Lose”
In Lose, Travis Scott contemplates the mental toll of fame and his fear of failure. The track balances Scott’s desire for success with the emotional burden that comes with constantly being in the spotlight, exploring the pressure of maintaining his position in the industry.
- “Sometimes I wish I could just hit a switch and leave.”
Scott expresses his longing for escape from the pressures of fame, suggesting that, at times, he wishes he could simply step away from it all. - “When I touch down, it’s a touchdown.”
A metaphor for success, this line highlights the expectation that everything Scott does is supposed to be a win, illustrating the constant pressure to deliver. - “You don’t want no problems, I don’t wanna lose.”
Scott reflects on the stakes involved in maintaining success, revealing his fear of failure and his determination to keep his position in the industry secure.
78. “Beibs in the Trap” (featuring NAV)
In Beibs in the Trap, Travis Scott and NAV examine the excesses of their lifestyle, touching on themes of materialism, drug use, and the trap lifestyle. The song’s title plays off Justin Bieber’s clean image to contrast with the darker world of substance abuse.
- “I just poured an eighth in a litre.”
Scott references his habitual use of lean, a codeine-based drink, which serves as a coping mechanism for him, allowing him to escape the pressures of fame. - “Beibs in the trap, and I can’t go back.”
The line reflects Scott’s entrenchment in a lifestyle built on fame, drugs, and wealth, symbolizing that there’s no turning back from the world he now occupies. - “She said she wanted a ring like Carmelo.”
This lyric highlights the materialistic expectations present in his relationships, where love and success are often equated with wealth and status.
79. “Pick Up the Phone” (with Young Thug and Quavo)
Pick Up the Phone is an upbeat collaboration where Travis Scott, Young Thug, and Quavo explore the frustrations that come with miscommunication and emotional distance in relationships. The track contrasts the thrill of new love with the challenges of maintaining it in a fast-paced world.
- “Pick up the phone, baby.”
This hook captures the central theme of the song—Scott’s frustration and desire for connection, reflecting the anxiety that comes with feeling ignored by someone he cares about. - “I know you’re home, baby.”
This lyric heightens the emotional tension as Scott knows the person is available but is still choosing not to engage, emphasizing the emotional distance in the relationship. - “I pour a four of that Act’, baby.”
Scott turns to lean (a drink made from codeine and soda) as a coping mechanism, a recurring theme in his music that represents his struggles with emotional pain and rejection.
80. “Goosebumps” (featuring Kendrick Lamar)
In Goosebumps, Travis Scott and Kendrick Lamar explore the emotional intensity of love, lust, and fear, highlighting the overwhelming feelings that arise when dealing with relationships and the pressures of success.
- “I get those goosebumps every time, yeah, you come around.”
Scott uses “goosebumps” to describe the powerful physical and emotional reactions he experiences when someone important to him enters his life. - “When I’m pullin’ up right beside ya, pop star, lil’ Mariah.”
This lyric reflects Scott’s rise to pop stardom, comparing his life to that of a pop icon like Mariah Carey, while maintaining his distinct trap identity. - “I get those goosebumps every time, I need the Heimlich, throw that to the side.”
The metaphor of needing the Heimlich manoeuvre suggests that the intensity of his emotions is almost suffocating, leaving him overwhelmed by the pressure of love and fame.
81. “SDP Interlude”
The SDP Interlude is a minimalist track that reflects Travis Scott’s reliance on substances as a means of escaping reality. The repetitive nature of the lyrics mirrors the cyclical experience of addiction and emotional detachment.
- “Smoke one, pop one, drink one.”
This repetitive mantra highlights Scott’s reliance on substances to cope with the stresses and emotional toll of his life, symbolizing the numbness he seeks through indulgence. - “Mama taught me how to get out of the mud.”
Scott acknowledges the strength his upbringing gave him, even as he struggles with the darker aspects of fame and excess. - “I don’t wanna feel a thing.”
This lyric reflects Scott’s desire to numb himself from the emotional pressures of life, seeking refuge in substances to avoid dealing with the weight of his reality.
82. “Wonderful” (featuring The Weeknd)
The closing track of the album, Wonderful, featuring The Weeknd, is an ode to the euphoria and indulgence of fame. The song contrasts the surface-level joys of success with the underlying emptiness that often comes with constant pleasure-seeking.
- “Oh my, wonderful.”
The simple hook captures the awe and wonder that comes with the highs of fame, but also hints at how fleeting these moments of excitement can be. - “Everything I touch is wonderful.”
Scott and The Weeknd express confidence in their creative output, emphasizing how everything they involve themselves in turns to success, yet there’s an underlying sense that this “wonder” is fragile. - “We can do anything, all the things you won’t regret.”
The carefree attitude of this lyric captures the idea of living in the moment without considering the consequences, a recurring theme throughout Birds in the Trap Sing McKnight.
83. “First Take” (featuring Bryson Tiller)
First Take delves into the emotional pain and mistrust that often define Scott’s relationships. The song, featuring Bryson Tiller, reflects on the difficulties of finding stability in love while grappling with the pressures of fame and personal demons.
- “You want the best of me, but all I got to give is pain.”
Scott acknowledges his inability to provide the emotional support his partner desires, showing the destructive effects of his past experiences on his current relationships. - “Got me twistin’ up my weed, tryna get you out my mind.”
Scott uses marijuana to escape the pain and emotional complexity of his relationships, a coping mechanism that mirrors his broader struggle with detachment. - “Told her she my queen, but I don’t need no queen.”
This lyric encapsulates Scott’s conflict between wanting emotional connection and fearing the vulnerability that comes with commitment, making it difficult for him to sustain relationships.
Travis Scott’s Birds in the Trap Sing McKnight is a sonic journey through the emotional highs and lows of fame, excess, love, and personal struggles. The album masterfully combines hypnotic trap beats with raw, introspective lyrics that explore the complexities of Scott’s rise to stardom. Through 80+ vivid and emotionally charged lyrics, Scott paints a picture of a life filled with indulgence, yet tinged with isolation, distrust, and the pressure to maintain success.
From the euphoric highs of songs like Goosebumps and Wonderful to the introspective depths of tracks like Lose and First Take, the album showcases Scott’s ability to balance celebration and vulnerability. His recurring themes of addiction, detachment, and emotional conflict reveal a deeper layer of complexity beneath his confident, larger-than-life persona. With features from heavyweights like Kendrick Lamar, The Weeknd, and Kid Cudi, the album not only solidified Scott’s place in the hip-hop world but also served as a creative blueprint for artists navigating the tension between success and personal identity.